Othering Time

Why Your Watch Can't Measure a Forest's Pulse

How scientists, artists, and designers are rewiring our perception of time to hear nature's forgotten rhythms

Introduction: The Tyranny of Human Time

We live by the beat of human-made time—clocks, calendars, and deadlines. Yet beneath this artificial pulse, Earth's inhabitants dance to rhythms spanning microseconds to millennia: bacterial generations in minutes, forest growth in centuries, geological shifts in eons. This "temporal othering"—ignoring non-human timescales—fuels ecological crises. But pioneering work in augmented reality, bioart, and speculative design is helping us attune to these alien tempos, revealing how time shapes more-than-human worlds 1 2 .

Time perception
Different temporal scales in nature, from fast-moving clouds to slow-growing mountains

Rethinking Time: From Chronos to Kairos

Timescapes replace clocks as ecological frameworks:

Near Lens Temporalities

Immediate experiences (e.g., a mayfly's 24-hour life)

Far Lens Temporalities

Slow, collective rhythms (e.g., mycelial networks regenerating after wildfires) 2

These scales clash with industrial time. Bioartist Melanie Sarantou's wool tapestry, co-created with sunflower seedlings, required 18 months of growth—a timescale dictated by the plants, not human schedules 2 .

Sympoiesis (making-with) reframes creativity as collaboration across species. As researcher Vella notes: "Curating becomes dialogue when artists surrender authorship to bacterial luminescence or reindeer blood's pigment properties" .

The Experiment: Seeing Time Through Augmented Reality

Methodology: Layering Temporal Realities

A 2025 pilot study used AR headsets to visualize "multiple temporalities" in Oslo's urban forests. Participants navigated while seeing:

Real-time biodata

Insect movements amplified as glowing trails

Accelerated decomposition

Fungi digesting logs over 40 days compressed to 4 minutes

Geological deep time

Projected rock formations from 10,000 BCE to 2200 CE 1

Table 1: AR Temporal Layers
Temporality Type Human Timescale Equivalent Non-Human Actor
Micro-time 1 second → 1 minute Bacteria
Growth time 1 day → 10 seconds Mycelium
Deep time 1,000 years → 5 minutes Geological strata

Results: Rewiring Perception

87% of participants reported "profound shifts" in ecological awareness. One noted: "Watching stones 'flow' like water made me realize mountains aren't static—they're slow rivers." Physiological sensors showed decreased heart rates when observing slow-time layers, suggesting somatic attunement to non-human rhythms 1 .

Table 2: Participant Attunement Shifts
Attunement Metric Pre-AR (%) Post-AR (%)
Felt "connected" to non-human time 22 79
Could define "deep time" 11 68
Expressed ethical concern for non-humans 37 91
AR experience
AR visualization of multiple temporalities in a forest environment
Participant response
Participants experiencing temporal attunement through AR technology

Bioart's Temporal Strategies: When Bacteria Become Clocks

Artists deploy living media to materialize alien timescales:

Luminous Bacteria

In Saeki's Digital Screen Printing, bacterial colonies dictate image emergence over days—their growth rate becoming the "ink timer" 2

Reindeer Blood Pigments

Pietarinen's artworks use blood's oxidation clock; colors shift from crimson to rust as hemoglobin reacts with air across weeks 2

These works act as biological interfaces, translating microbial or chemical tempos into human-sensory experiences.

Bioart examples
Examples of bioart that incorporate living organisms as temporal elements

Curating Temporality: Museums as Time-Bending Spaces

Forward-thinking institutions employ three strategies:

Parafictional Temporalities

Exhibits where fictional future species (e.g., AI-generated corals) critique present extinction rates

Vegetal Hauntology

Curator Ingrid Vranken's Rooted Hauntology Lab uses decaying plant matter to manifest "ghost time"—the persistence of memory in ecosystems

Deep Time Archives

POLIN Museum's 12-principle framework layers geological, cultural, and ecological timelines in one installation

Table 3: Curatorial Attunement Tactics
Strategy Timescale Accessed Key Example
Parafiction Future speculative AI-generated extinct species
Sympoietic collaboration Growth/decay cycles Reindeer blood paintings
Multi-sensory immersion Micro to deep time AR forest temporal overlays 1

Ethical Dimensions: Who Controls Time?

Attuning to non-human time demands radical reciprocity:

Decentering Anthropocentrism

Indigenous ontologies, as seen in Lima's MASM museum, frame time as cyclical co-becoming rather than linear progress 2

Avoiding Exploitation

Projects using reindeer blood honor animals through Sami rituals, rejecting extractive "harvesting" of temporalities 2

As researcher Miettinen argues: "We must ask: Are we listening to non-human time, or just appropriating its aesthetics?" 2

Ethical considerations
Ethical engagement with non-human temporalities requires reciprocity and respect

The Scientist's Toolkit: Instruments for Temporal Attunement

Table 4: Essential Research Reagents for Time Studies
Tool Function Example Use Case
AR Speculative Prototyping Overlays alternative temporalities onto physical spaces Visualizing forest decay/regeneration cycles 1
Bioart Media Uses living organisms as temporal sensors Bacterial canvases revealing growth rates 2
Temporal Mapping Software Visualizes layered timescales (micro to deep time) Mapping coral bleaching across decades 2
More-than-Human Toolkits Frameworks for cross-species collaboration td-net's co-design methods for temporal projects 3
Field Recording Gear Captures infra/ultrasonic rhythms Documenting tree root communication frequencies
Research tools
Tools for studying and visualizing non-human temporalities
Field work
Researchers documenting temporal patterns in natural environments

Conclusion: Time as a Shared Habitat

Attuning to non-human temporalities isn't about romanticizing "nature's pace." It's recognizing that time, like air or water, is a shared habitat. As AR experiments and bioart show, dissolving the illusion of human-time supremacy could be key to survival. The challenge now? To build what artist Raphael Vella calls "curatorial clocks"—institutions, technologies, and rituals that honor time's polyphony . After all, a forest doesn't need our schedules. But we desperately need its rhythms.

Forest rhythms
Forests operate on timescales that challenge human perception of time

Glossary

More-than-Human
Worlds encompassing animals, plants, microbes, and geophysical forces
Sympoiesis
Co-creative making across species boundaries
Timescape
Temporality experienced within a specific ecological/cultural context

References